Rippin' for Gordon - #056 - dr. B. Goudzwaard Noodzaakt Artistieke Hoop in een Bezeten Wereld

dr. B. Goudzwaard
Genoodzaakt Goed te Wezen

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© Uitgeversmaatschappij J. H. Kok - Kampen, 1981
Omslagontwerp: Henk Dokter
ISBN 90 242 2302 4

12,1 x 21,0 cm, 114p, softcover

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On 28 January 2018 I ripped the 114 pages from dr. B. Goudzwaard Genoodzaakt Goed te Wezen, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #052 - Slavoj Žižek en het Tolerante Multiculturele Doelpunt in de Artistieke Diepte

Slavoj Žižek
Intolerantie

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Oorspronkelijk verschenen in New Left Review van
september/oktober 1997 onder de titel 'Multiculturalism,
Or, the Cultural Logic of Multinational Capitalism';
de auteur maakte voor Boom een grondige bewerking
van deze tekst, die in 1998 voor het eerst verscheen in
de reeks Boom Essay.

© Uitgeverij Boom, Amsterdam 2011

Behoudens de in of krachtens de Auteurswet van 1912
gestelde uitzonderingen mag niets uit deze uitgave worden
verveelvoudigd, opgeslagen in een geautomatiseerd 
gegevensbestand, of openbaar gemaakt, in enige vorm of
op enige wijze, hetzij elektronisch, mechanisch door
fotokopieën, opnamen of enig andere manier, zonder
voorafgaande schriftelijke toestemming van de uitgever.
Voor zover het maken van kopieën uit deze uitgave is
toegestaan op grond van artikelen 16h t/m 16m Auteurswet
1912 jo. besluit van 27 november 2002, Stb 575, dient men de
daarvoor wettelijk verschuldigde vergoeding te voldoen aan
de Stichting Reprorecht te Hoofddorp (postbus 3060, 2130 KB,
www.reprorecht.nl) of contact op te nemen met de uitgever
voor het treffen van een rechtstreekse regeling in de zin
van art. 161, vijfde lid, Auteurswet 1912. Voor het overnemen
van gedeelte(n) uit deze uitgave in bloemlezingen, readers
en andere compilatiewerken (artikel 16, Auteurswet 1912)
kan men zich wenden tot de Stichting PRO (Stichting Publicatie-
en Reproductierechten, postbus 3060, 2130 KB Hoofddorp,
www.cedar.nl/pro).

No part of this book may be reproduced in any way whatsoever
without the written permission of the publisher.

Verzorging omslag & binnenwerk
René van der Vooren, Amsterdam

ISBN 978 94 6105 2315 | NUR 730

11,1 x 18,0 cm, 114p, softcover

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On 22 January 2018 I ripped the 114 pages from Slavoj Žižek Intolerantie, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #048 - Albert Camus Falls Down Down Deeper and Down

Albert Camus
The Fall

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Penguin Books Ltd, Harmondsworth, Middlesex
AUSTRALIA: Penguin Books Pty, 762 Whitehorse Road,
Mitcham, Victoria

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La Chute first published in 1956
This translation first published in
Great Britain by Hamish Hamilton 1957
Published in Penguin Books 1963

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Translation copyright © Justin O'Brien, 1957

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Made and printed in Great Britain
by C. Nicholls & Company Ltd
Set in Linotype Pilgrim

This book is sold subject to the condition 
that it shall not, by way of trade, be lent, 
re-sold, hired out, or otherwise disposed
of without the publisher's prior consent, 
in any form of binding or cover 
other than that in which 
it is published 

11,2 x 18,1 cm, 114p, softcover

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On 4 January 2018 (58 years after his death in a car crash) I ripped the 114 pages from Albert Camus The Fall, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #013 - Artists in Slavery

Susan Hiller and Sarah Martin (ed)

Artists at Work

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First published in 2001 by BALTIC
P. O. Box 158, Gateshead, NE8 1FG
Great Britain
www.balticmill.com

© BALTIC and the authors

ISBN 1-903655-02-1

All rights reserved. No part of this publication may be reprinted or reproduced
or utilised in any form or by any electronic, mechanical or other means, including
photocopying or recording, or by any information or retrieval system, without
permission in writing from the publisher.

Design by Ripe Design Consultancy, The New Inn, Bridge Street, Braydon-on-Tyne.
Printed and bound by Cox and Wyman Ltd., Cardiff Road, Reading, Berkshire.

BALTIC is funded by the National Lottery through The Arts Council of England,
Gateshead Council, Northern Arts, European Regional Development Fund and
English Partnerships.

13,0 x 19,8 cm, 114p, softcover

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On 1 October 2017 I ripped the 114 pages from Susan Hiller and Sarah Martin (ed) Artists at Work, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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