Showing posts with label 1978. Show all posts
Showing posts with label 1978. Show all posts

Wednesday, January 3, 2018

Rippin' for Gordon - #047 - Charles Bukowski Going Down with the Exploited, the Underpaid and the Over-Talented

Charles Bukowski
Women


A Star Book
Published in 1981
by the Paperback Division of
W. H. Allen & Co. Ltd
A Howard and Wyndham Company
44 Hill Street, London W1X 8LB

First published in Great Britain by
W. H. Allen & Co. Ltd, 1981

Copyright © 1978 by Charles Bukowski

First published in the United States of America by Black Sparrow Press

Printed in Great Britain by
Hazell Watson & Viney Ltd, Aylesbury, Bucks

ISBN 0 352 30967 9

ACKNOWLEDGEMENTS
Acknowledgement is made to the editors of City Lights Anthology no. 4, First
Person Intense, Hustler and Rogner's Magazin where some of these chapters
originally appeared.

This book is sold subject to the condition that it shall 
not, by way of trade or otherwise, be lent, 
re-sold, hired out, or otherwise circulated without the 
publisher's prior consent in any form of 
binding or cover other than that in which it is published 
and without a similar condition including this 
condition being imposed on the subsequent purchaser.

10,7 x 17,8 cm, 298p, softcover



On 3 January 2018 I ripped the 298 pages from Charles Bukowski Women, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.





Saturday, November 11, 2017

Rippin' for Gordon - #035 - Jay Anson is Frightened by the Scariest True Artwork He Has Seen in Years

Jay Anson
The Amityville Horror


First published in Great Britain 1978 by W.H. Allen
This edition published 1978 by Pan Books Ltd,
Cavaye Place, London SW10 9PG
2nd printing 1978
© Jay Anson, George Lee Lutz, Kathleen Lutz 1978
ISBN 330 25599 1
Printed and bound in Great Britain by
Richard Clay (The Chaucer Press) Ltd, Bungay, Suffolk

This book is sold subject to the condition that it 
shall not, by way of trade or otherwise, be lent, re-sold, 
hired out or otherwise circulated without the publisher's prior 
consent in any form of binding or cover other than that in which
it is published and without a similar condition including this
condition being imposed on the subsequent purchaser.

11,0 x 17,9 cm, 194p, softcover



On 11 November 2017 I ripped the 194 pages from Jay Anson The Amityville Horror, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.





Friday, September 15, 2017

Rippin' for Gordon - #005 - Marshall Kilduff and Ron Javers Remember the Past to not Repeat it

Marshall Kilduff and Ron Javers
The Suicide Cult
The Inside Story of the Peoples Temple
Sect and the Massacre in Guyana




THE SUICIDE CULT
A Bantam Book / December 1978

All rights reserved
Copyright © 1978 by the San Fransisco Chronicle.
This book may not be reproduced in whole or in part, by
mimeograph or any other means, without permission.
For information address: Bantam Books, Inc.

ISBN 0-553-12920-1

Published simultaneously in the United States and Canada

Bantam Books are published by Bantam Books, Inc. Its trade-
mark, consisting of the words "Bantam Books" and the por-
trayal of a bantam, is Registered in U.S. Patent and Trademark
Office and in other countries. Marca Registrada. Bantam
Books, Inc., 666 Fifth Avenue, New York, New York 10019.

PRINTED IN THE UNITED STATES OF AMERICA

10,8 x 17,7 cm, 210p, softcover



On 15 September 2017 I ripped the 210 pages from Marshall Kilduff and Ron Javers The Suicide Cult, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole will be filled with precious books from my private library.