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10,7 x 17,9 cm, 386p, softcover
On 30 September 2017 I ripped the 386 pages from Bram StokerDracula, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
If you purchase this book without a cover you should be aware that this
book may have been stolen property and reported as "unsold and
destroyed" to the publisher. In such case neither the author nor the
publisher has received any payment for this "stripped book."
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10 9 8 7 6 5 4 3 2 1
10,5 x 17,1 cm, 356p, softcover
On 23 September 2017 I ripped the 356 pages from Jack JonesLet Me Take You Down, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
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10,5 x 17,7 cm, 418p, softcover
On 22 September 2017 I ripped the 418 pages from Colin WilsonRitual in the Dark, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
On 21 September 2017 I ripped the 210 pages from Bernard SchlinkDer Vorleser, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
Penguin Books Ltd, Harmondsworth, Middlesex, England
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First published by J.M. Dent & Sons 1900
Published in Penguin Books 1949
Reprinted 1961, 1962, 1964 (twice), 1965 (three times), 1966,
1968, 1969, 1971 (twice)
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This edition 1957 by arrangement with the
Trustees of the Joseph Conrad Estate and
J.M Dent & Sons Ltd
Made and printed in Great Britain
by Hazell Watson & Viney Ltd,
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This book is sold subject to the condition
that it shall not, by way of trade or otherwise,
be lent, re-sold, hired out, or otherwise circulated
without the publisher's prior consent in any form of
binding or cover other than that in which it is
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on the subsequent purchaser
10,5 x 17,7 cm, 322p, softcover
On 19 September 2017 I ripped the 322 pages from Joseph ConradLord Jim, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
This low-priced Bantam Book has been completely rest in a type face designe for easy reading, and was printed from new plates. It contains the complete text of the original hard-cover edition.
NOT ONE WORD HAS BEEN OMITTED.
On 18 September 2017 I ripped the 278 pages from Susan AtkinsChild of Satan, Child of God, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole will be filled with precious books from my private library.
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Printed in the United States of America
95 96 97 98 • 10 9 8 7 6 5 4 3 2
Fox, David
HTML Web Publisher's construction kit / David Fox, Try Downing
p. cm.
Includes index.
ISBN: 1-57169-018-2
1. Hypertext systems. 2. HTML (Document markup language)
I. Downing, Troy. II. Title
QA76.76.H94F69 1995
005.75--dc20
17,7 x 29,5 cm, 684p, softcover
On 17 September 2017 I ripped the 684 pages from David Fox Try DowningHTML Web Publisher's Construction Kit, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole will be filled with precious books from my private library.
Published simultaneously in the United States and Canada Bantam Books are published by Bantam Books, Inc. Its trade- mark, consisting of the words "Bantam Books" and the por- trayal of a bantam, is Registered in U.S. Patent and Trademark Office and in other countries. Marca Registrada. Bantam Books, Inc., 666 Fifth Avenue, New York, New York 10019.
PRINTED IN THE UNITED STATES OF AMERICA
10,8 x 17,7 cm, 210p, softcover
On 15 September 2017 I ripped the 210 pages from Marshall Kilduff and Ron JaversThe Suicide Cult, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole will be filled with precious books from my private library.
Deze uitgave kwam mede tot stand dankzij
een gift van de Stichting Hermann & Hannelore Grünberg
De vertaler ontving voor deze vertaling een werkbeurs
van het Nederlands Letterenfonds
ISBN 978 90 253 0214 6 / NUR 640
www.uitgeverijathemaeum.nl
12,4 x 20,0 cm, 234p, softcover
On 15 September 2017 I ripped the 234 pages from Lev TolstoiWat is Kunst?, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole will be filled with precious books from my private library.
On 12 September 2017 I ripped the 178 pages from ICC 1979 - 1977Een Dokumentaire Overzichtstentoonsteling, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole will be filled with precious books from my private library.
First Dell printing – July, 1964
Second Dell printing – November, 1964
Third Dell printing – May, 1965
Printed in U.S.A.
10,6 x 18,1 cm, 258p, softcover
On 11 September 2017 I ripped the 258 pages from John Fowles' The Collector, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole will be filled with precious books from my private library.
Uitgegeven door I.C.C., Meir 50, B-2000 Antwerpen, België
Samenstelling en realisatie: F. Bex, J.P. Coenen, J. Debbaut,
Vertalingen: J. Vercruysse,
Traductions: G. Roque, S. Pahaut,
Ontwerp: F. Michiels,
Druk: G.B.S., Brugge,
Wettelijk depot: D/1976/1540/2
14,6 x 20,5 cm, 162p, softcover
On 9 September 2017 I ripped the 162 pages from Joseph Kosuth's Teksten/Textes, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of today the Hole will be filled with precious books from my private library.
