Rippin' for Gordon - #059 - E.J. Hobsbawm Komt Tot de Conclusie Dat Bandieten Wel Revolutionair Zijn

E.J. Hobsbawm
Bandieten

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© 1973 by Wetenschappelijke Uitgeverij bv, Amsterdam
Vertaling: mr. R. Germeraad
Omslag: Alje Olthof G V N

De sentimentele bandiet: Bandiet van de Apennijnen
(1824), schilderij van sir Charles Eastlake (1793-1865),
voorzitter van de Royal Academy.

ISBN 90 214 2760 5

12,5 x 20,0 cm, 182p, softcover

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On 31 January 2018 I ripped the 182 pages from E.J. Hobsbawm Bandieten, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #058 - Daphne du Maurier Dreamt She Went to Gordon, Dan and Vito

Daphne du Maurier
Rebecca

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Arrow Books Limited
20 Vauxhall Bridge Road, London SW1V 25A

An imprint of the Random Century Group

London Melbourne Sydney Auckland
Johannesburg and agencies throughout
the world

First published in Great Britain in 1938 by
Victor Gollancz Ltd.

Arrow edition 1992

3 5 7 9 10 8 6 4

The right of Daphne du Maurier to be identified as
the author of this work has been asserted by her in
accordance with the Copyright, Designs and Patents
Act, 1988

This book is sold subject to the condition that it 
shall not, by way of trade or otherwise, be lent, 
re-sold, hired out, or otherwise circulated without the 
publisher's prior consent in any form of binding or 
cover other than that in which it is published and 
without a similar condition including this condition 
being imposed on the subsequent purchaser

Printed and bound in Great Britain by
Cox & Wyman Ltd, Reading, Berkshire

ISBN 0 09 986600 5

11,0 x 17,7 cm, 402p, softcover

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On 29 January 2018 I ripped the 402 pages from Daphne du Maurier Rebecca, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #057 - Ed and Lorraine Warren Underwent a Terrifying Transformation from Quiet Neighbourhood Artist to Frenzied, Savage Beast

Ed and Lorraine Warren
Werewolf

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NOTE: If you purchased this book without a cover you
should be aware that this book is stolen property. It was
reported as 'unsold and destroyed' to the publisher, and
neither the author nor the publisher has received any
payment for this 'stripped book'.

WEREWOLF: A TRUE STORY OF DEMONIC POSSESSION

Copyright © 1991 by Ed and Lorraine Warren and Bill Ramsey
with Robert David Chase.

Back cover photograph courtesy John Cleave/Syndication
International.

All rights reserved. No part of this book may be used or repro-
duced in any manner whatsoever without written permission
except in the case of brief quotations embodied in critical articles
or reviews. For information address St. Martin's Press, 175 Fifth
Avenue, New York, N. Y. 10010.

Library of Congress Catalog Card Number: 91-21767

ISBN: 0-312-92864-5

Printed in the United States of America

St. Martin's Press hardcover edition/October 1991

St. Martin's Paperbacks edition/October 1992

10 9 8 7 6 5 4 3 2 1

10,6 x 17,1 cm, 230p, softcover

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On 28 January 2018 I ripped the 230 pages from Ed and Lorraine Warren Werewolf, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #056 - dr. B. Goudzwaard Noodzaakt Artistieke Hoop in een Bezeten Wereld

dr. B. Goudzwaard
Genoodzaakt Goed te Wezen

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© Uitgeversmaatschappij J. H. Kok - Kampen, 1981
Omslagontwerp: Henk Dokter
ISBN 90 242 2302 4

12,1 x 21,0 cm, 114p, softcover

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On 28 January 2018 I ripped the 114 pages from dr. B. Goudzwaard Genoodzaakt Goed te Wezen, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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