ES PROPIEDAD COPYRIGHT BY GUSTAVO GILI ISBN 84-252-0225-6 Depósìto Legal: B. 38.102 - 1976 Printed in Spain Industria Gráfica Ferrer Coll, S. A. - Pje. Solsona, s/n. - Barcelona-14
10,6 x 14,7 cm, 154p, softcover
On 31 October 2017 I ripped the 154 pages from Juan Navarro DagninoVocabulary Marítimo, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
On 30 October 2017 I ripped the 552 pages from Sailendra Nath Sen Ancient Indian History and Civilization, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
THIS LOW-PRICED BANTAM BOOK printed in completely in new type, especiallydesigned for easy reading, contains the completetext of the original, hard-cover edition. NOT ONE WORD HAS BEEN OMITTED. ALAS, BABYLON A Bantam Book / published by arrangement with J. B. Lippincott Company PRINTING HISTORY Lippincott edition published March 1959 2nd printing ..................... April 1959 3rd printing ..................... June 1959 Bantam edition published March 1960
Bantam Books are published by Bantam Books, Inc. Its trademark, consisting of the words "Bantam Books" and the portrayal of a bantam, is Registered in the United States PatentOffice and in other countries. Marca Registrada. Printed in the United States of America. BantamBooks, Inc., 25 West 45th Street, New York 36, N. Y.
10,9 x 17,7 cm, 284p, softcover
On 27 October 2017 I ripped the 284 pages from Pat Frank Alas, Babylon, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
On 23 October 2017 I ripped the 184 pages from Mario Benedetti Avec et sans Nostalgie, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
Conditions of sale
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not, by way of trade or otherwise, be lent, re-sold, hired out
or otherwise circulated without the publisher's prior consent
in any form of binding or cover other than that in which
it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
2. This book is sold subject to the Standard Conditions of
Sale of Net Books and may not be re-sold in the U.K.
below the net price fixed by the publishers for the book.
This book is set in 10pt Times.
Corgi Books are published by Transworld Publishers
Ltd., 61-63 Uxbridge Road, Ealing, London W5 5SA, in
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Printed and bound in Great Britain by
Cox & Wyman Ltd., Reading, Berks.
10,5 x 17,7 cm, 364p, softcover
On 22 October 2017 I ripped the 364 pages from Thomas Harris Red Dragon, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
On 20 October 2017 I ripped the 82 pages from Jozefien Van Beek & Frederik Willem Daem (ed) Oogst, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
Published by Sphere Books 1972
Reprinted March 1974
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. Set in Linotype Baskerville Printed in Great Britain by Hazel Watson & Viney Ltd Aylesbury, Bucks ISBN 0 7221 2703 0
10,8 x 17,8 cm, 306p, softcover
On 16 October 2017 I ripped the 306 pages from Aleister Crowley Moonchild, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
The contents of this edition of
the Road Atlas Britain are believed
correct at the time of printing.
Nevertheless, the publisher can
accept no responsibility for errors
or omissions, or for changes
in the detail given.
Maps of Great Britain are based on
Ordnance Survey maps with the
sanction of the Controller of
Her Majesty's Stationary Office,
Crown Copyright Reserved.
Printed and bound in Great Britain
by Petty & Sons Ltd., Leeds,
Members of BPCC pic.
28,4 x 38,5 cm, 130p, softcover
On 14 October 2017 I ripped the 130 pages from Collins Road Atlas Britain, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
All rights reserved, including the right to reproduce this book or
portions thereof. Selections reprinted herein are protected by copy-
right and are included by permission.
Printed in the Unites States of America
January 1972
ACKNOWLEDGEMENTS
The editor and publisher are grateful for permission to reprint the
following:
On 13 October 2017 I ripped the 210 pages from M. L. Carter (ed)Demon Lovers and Strange Seductions, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
82, rue Bonaparte, Paris
Dépot légal: Ier trim. 1975 – Nº Éditeur: 1428
IMPRIMERIE FLOCH
53100 Mayenne
Nº 13094 – 1975
14,0 x 19,0 cm, 322p, softcover
On 12 October 2017 I ripped the 322 pages from Georges GougenheimLes Mots Français dans l'Histoire et dans la Vie, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
Esta edición de LOS OJOS DEL DIABLO ha sido posi-
bila gracias a la generosa ayuda del Cabildo Insular de
Gran Canaria, coeditor de la misma.
FOMENTA LA CREATIVIDAD/
RESPETA EL DERECHO DE AUTOR
CENTENARIO DE LA CONVENCION DE BERNA/1886-1986
No se permite la reproducción total o parcial de esto libro,
ni su incorporación a un sistema informático, ni su transmisión
en cualquier forma o por cualquier medio, sea éste
electrónico, mecánico, por fotocopia, por grabación u otros
métodos, sin el permiso previo y por escrito de los titulares
del COPYRIGHT:
Esta edición de
LOS OJOS DEL DIABLO
compuesta en tipos Aster de 9/9 puntos por
Tecnitype,
se terminó de imprimir en los talleres de
Romanyà/Valls,
Verdaguer, 1, Capellades (Barcelona),
el 20 de octubre de 1986.
Impreso en España - Printed in Spain
12,6 x 19,5 cm, 142p, softcover
On 11 October 2017 I ripped the 142 pages from Jorge AndradoLos Ojos del Diablo, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
Printed in Great Britain by Cox and Wyman Ltd, London, Reading and Fakenham
11,2 x 17,7 cm, 194p, softcover
On 10 October 2017 I ripped the 194 pages from Ian FlemingJames Bond: You Only Live Twice, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
Made and printed in Great Britain by
Richard Clay (The Chaucer Press) Limited
Bungay, Suffolk
14,4 x 21,0 cm, 194p, softcover
On 8 October 2017 I ripped the 194 pages from The World's Worst Disasters of the Twentieth Century, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
This Warner Paperback Library Edition is published by
arrangement with Henry Regency Company, Inc.
Cover design by Gene Light
Warner Paperback Library is a division of Warner Books, Inc.,
75 Rockefeller Plaza, New York, N.Y. 10019
A Warner Communications Company
Printed in the United States of America
10,7 x 17,5 cm, 466p, softcover
On 8 October 2017 I ripped the 466 pages from Flora Rheta SchreiberSybil, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
All rights reserved which includes the right
to reproduce this book or portions thereof in
any form whatsoever. For information address
G. P. Putnam's Sons
200 Madison Avenue
New York, N.Y. 10016
Library of congress Catalog Card Number: 73-82018
SBN-425-03904-8
BERKLEY MEDAILLION BOOKS are published by
Berkley Publishing Corporation
200 Madison Avenue
New York, N.Y. 10016
G. P. Putnam's Sons
200 Madison Avenue
New York, N.Y. 10016
BERKELY MEDAILLION BOOKS ® TM 757,375
Printed in the United States of America
G. P. Putnam/Berley Medaillion Edition, August, 1974
EXCERPT ON PAGE 322 FROM HONEY BUNCH: HER FIRST
DAYS IN CAMP, COPYRIGHT 1925 BY GROSSET AND DUNLAP, INC. COPYRIGHT RENEWED 1953 BY HELEN LOUISE THORNDYKE. EXCERPT ON PAGE 456 FROM HONEY BUNCH: HER FIRST LITTLE
GARDEN, COPYRIGHT 1924 BY GROSSET AND DUNLAP, INC. COPY- RIGHT RENEWED 1952 BY HELEN LOUISE THORNDYKE.
THIRTEENTH PRINTING
10,7 x 17,5 cm, 578p, softcover
On 7 October 2017 I ripped the 578 pages from Lawrence SandersThe First Deadly Sin, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
Production:
Sabine Brismontier assisted by Audrey Chenu
English translation:
Caroline Taylor-Bouché
Photoengraving: Fotoprim, Paris
Flashing: Typophot, Paris
Paper: BVS mat 135 g, Muller Ménage
Printing: Imprimerie Hérissey, Évreux
First printed by imprimerie Hérissey in Évreux, in February 1998
Cover:
Panamarenko, U-Control III, 1972, wood, polyester film, carbon,
bamboo, metal
Sonia Delaunay, Rhythme, 1938, oil on canvas
Robert Delauney: Rhythme nº 1, 1938, oil on canvas L'Équipe de Cardiff, 1912-1913, oil on canvas Nu à la coiffeuse, 1915, oil on canvas Symphonie colorée, 1915-1917, oil on canvas Rhythme, joie de vivre, 1930, oil on canvas Tour Eiffel, 1926, oil on canvas
On 1 October 2017 I ripped the 146 pages from Susanne Pagé (ed)Musée d'Art Moderne de la Ville de Paris, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
All rights reserved. No part of this publication may be reprinted or reproduced
or utilised in any form or by any electronic, mechanical or other means, including
photocopying or recording, or by any information or retrieval system, without
permission in writing from the publisher.
Design by Ripe Design Consultancy, The New Inn, Bridge Street, Braydon-on-Tyne.
Printed and bound by Cox and Wyman Ltd., Cardiff Road, Reading, Berkshire.
BALTIC is funded by the National Lottery through The Arts Council of England,
Gateshead Council, Northern Arts, European Regional Development Fund and
English Partnerships.
13,0 x 19,8 cm, 114p, softcover
On 1 October 2017 I ripped the 114 pages from Susan Hiller and Sarah Martin (ed)Artists at Work, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006. The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb. As of 9 September 2017 the Hole is filled with precious books from my private library.
