Thursday, March 22, 2018

Rippin' for Gordon - #068 - Norah Lofts Encloses the Double Standards of Art History with Precision

Norah Lofts
The Concubine


ARROW BOOKS LTD
178-202 Great Portland Street, London W1

AN IMPRINT OF THE HUTCHINSON GROUP

London Melbourne Sydney 
Auckland Bombay Toronto
Johannesburg New York

*

First published y
Hutchinso & Co. (Publishers) Ltd. 1964Arrow edition 1965

*

For copyright reasons this book may not be
issued to the public on loan or otherwise
except in its original soft cover

Made and printed in Great Britain 
by The Anchor Press, Ltd.,
Tiptree, Essex

10,8 x 17,7 cm, 386p, softcover



On 22 March 2018 I ripped the 386 pages from Norah Lofts The Concubine, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.





Tuesday, March 20, 2018

Rippin' for Gordon - #067 - Clive Barker Feeds the Old Gods with Monsters that Are Waiting on Stage

Clive Barker
Books of Blood (volume I)


SPHERE BOOKS LTD
Published by the Penguin Group
27 Wrights Lane, London W8 5TZ, England
Viking Penguin Inc., 40 West 23rd Street, New York, New York 10010. USA
Penguin Books Australia Ltd, Ringwood, Victoria, Australia
Penguin Books Canada Ltd, 2801 John Street, Markham, Ontario, Canada L3R 1B4
Penguin Books (NZ) Ltd, 182-190 Wairau Road, Auckland 10, New Zealand

Penguin Books Ltd, Registered Offices: Harmondsworth, Middlesex, England

First published in Great Britain by Sphere Books Ltd 1984
Reprinted 1987, 1988

Copyright ©  1984 by Clive Barker
All rights reserved

Made and printed in Great Britain by
by Richard Clay Ltd, Bungay, Suffolk
Set in Plantin

Except in the United States of America this book is sold subject
to the condition that it shall not, by way of trade or otherwise, be lent,
re-sold, hired out, or otherwise circulated without the
publisher's prior consent in any form of binding or cover other than
that in which it is published and without a similar condition
including this condition being imposed on the subsequent purchaser

10,8 x 17,8 cm, 152p, softcover



On 20 March 2018 I ripped the 152 pages from Clive Barker Books of Blood, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.




Sunday, March 18, 2018

Rippin' for Gordon - #066 - Lisa Slater Cuts Through the Contemporary Art Jungle with 8mb of Source Material

Lisa C. Slater
Hacking FoxPro


FoxPro MAChete: Hacking FoxPro for Macintosh, Second Edition© 1995 Hayden Books, a division of Macmillan Computer Publishing

All rights reserved. Printed in the United States of America. No part of
this book may be used or reproduced in any form or by any means, or
stored in a database or retrieval system, without prior written permission
of the publisher except in the case of brief quotations embodied in critical
articles and reviews. Making copies of any part of this book for any
purpose other than your own personal use is a violation of United States
copyright laws. For information, address Hayden Books, 201 W. 103rd
Street, Indianapolis, Indiana 46290.

Library of Congress Catalog Number: 95-60411
ISBN: 1-56830-196-0


This book is sold as is, without warranty of any kind, either express or
implied. While every precaution has been taken in the preparation of this
book, the publisher and author assume no responsibility for errors or
omissions. Neither is any liability assumed for damages resulting from the
use of information or instructions contained herein. It is further stated
that the publisher and author are not responsible for any damage or loss
to your data or your equipment that results directly or indirectly from
your use of this book.

98   97   96   95             4   3   2   1

Interpretation of the printing code: the rightmost double-digit number is
the year of the book's printing; the rightmost single-digit number is the
number of the book's printing. For example, a printing code of 95-1 shows
that the first printing of the book occured in 1995.

Manufactured in the United States of America

Trademark Acknowledgements: All products mentioned in this book are
either trademarks of the companies referenced in this book, registered
trademarks of the companies referenced in this book, or neither. We
strongly advise that you investigate a particular product's name thor-
oughly before you use the name as your own.

Apple, Mac and Macintosh are registered trademarks of Apple
Computer, Inc.

18,7 x 23,1 cm, 864p, softcover



On 18 March 2018 I ripped the 864 pages from Lisa C. Slater Hacking FoxPro, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.





Saturday, March 17, 2018

Rippin' for Gordon - #065 - John Cleland's Memoirs of an Artist of Pleasure

John Cleland
Fanny Hill


Granada Publishing Ltd
First published in this edition in 1970
by Mayflower Books Ltd
Frogmore, St Albans, Herts AL2 2NF
Reprinted 1970 (twice), 1973

Originally published in 1963 by
Mayflower Books Ltd
Revised edition published 1964
Reprinted many times
The Trial of Fanny Hill was written by
Richard Bennett and published by kind
permission of The Sunday Telegraph
Made and Printed in Great Britain by
Cox & Wyman Ltd
London, Reading and Fakenham
Set in 10 on 11pt Monotype Baskerville

This book is sold subject to the condition that it shall 
not, by way of trade or otherwise, be lent, re-sold, 
hired out, or otherwise circulated without the 
publisher's prior consent in any form of binding or 
cover other than that in which it is published and 
without a similar condition including this condition 
being imposed on the subsequent purchaser.
This book is published at a net price and is supplied
subject to the Publishers Association Standard
Conditions of Sale registered under the Restrictive
Trade Practices Act, 1956


11,0 x 17,5 cm, 226p, softcover


On 17 March 2018 I ripped the 226 pages from John Cleland Fanny Hill, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.