tag:blogger.com,1999:blog-7394060489596833542023-11-16T08:23:50.026+01:00Bastard Art GruppeDDVhttp://www.blogger.com/profile/08668330596436098353noreply@blogger.comBlogger90125tag:blogger.com,1999:blog-739406048959683354.post-35901383122411149272020-01-04T14:46:00.000+01:002020-01-04T14:52:46.761+01:00Rippin' for Gordon - #069 - Ian Fleming Was Not Forever<h2>
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<span style="font-size: x-large;">Ian Fleming</span><br />
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Diamonds are Forever</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE4OAL1IefF_Xar12vv412mnL-D2P0a4rc-MFvnUXcwLwDDCb3RpOhhwBzqc44w4ON9wA4GYY4fkn5uVUTYR2rsyE_4XgpXPQnCit1glBBJNTukR0WWPTHD-fEao-g6P3xUGWCFDh_jfI/s1600/20200104_003_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE4OAL1IefF_Xar12vv412mnL-D2P0a4rc-MFvnUXcwLwDDCb3RpOhhwBzqc44w4ON9wA4GYY4fkn5uVUTYR2rsyE_4XgpXPQnCit1glBBJNTukR0WWPTHD-fEao-g6P3xUGWCFDh_jfI/s320/20200104_003_web.jpg" width="320" /></a></div>
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">First published 1956 by Jonathan Cape Ltd.</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">This edition published 1958 by Pan Books Ltd.,</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">8 Headfort Place, London, S.W.I</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">2nd Printing 1958 9th Printing 1962</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">3rd Printing 1960 10th Printing 1963</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">4th Printing 1961 11th Printing 1963</span></span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">5th Printing 1961 12th Printing 1963</span></div>
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">6th Printing 1961 13th Printing 1963</span></div>
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">7th Printing 1962 14th Printing 1964</span></span></div>
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">8th Printing 1962 15th Printing 1964</span></span></div>
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"> 16th Printing 1964</span></span></div>
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">J.F.C.B.</span></span></div>
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">and</span></span></div>
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">E.L.C.</span></span></div>
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">to the memory of</span></span></div>
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">W.W.Jr.,</span></span></div>
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">at Saratoga. 1954 and '55</span></span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>4 January 2020</u> I ripped the 192 pages from <b>Ian Fleming</b><b><i> Diamonds are Forever</i></b>, tore them in half and threw them in the Hole I've been <b>Diggin' for Gordon</b> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <b>Gordon Matta-Clark</b> whose last and major work <i>‘Office Baroque’</i> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <b>Dan Flavin</b> takes care of lightning and an endless ladder as imagined by <b>Vito Acconci</b> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <b>James Lee Byars</b>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-4629166367573083832018-03-22T23:10:00.003+01:002018-03-22T23:10:53.607+01:00Rippin' for Gordon - #068 - Norah Lofts Encloses the Double Standards of Art History with Precision<h2>
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<span style="font-size: x-large;">Norah Lofts</span><br />
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The Concubine</div>
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">First published y</span></span><br />
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>22 March 2018</u> I ripped the 386 pages from <b>Norah Lofts</b><b><i> The Concubine</i></b>, tore them in half and threw them in the Hole I've been <b>Diggin' for Gordon</b> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <b>Gordon Matta-Clark</b> whose last and major work <i>‘Office Baroque’</i> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <b>Dan Flavin</b> takes care of lightning and an endless ladder as imagined by <b>Vito Acconci</b> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <b>James Lee Byars</b>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-51368638063916680732018-03-20T22:26:00.001+01:002018-03-20T22:26:10.068+01:00Rippin' for Gordon - #067 - Clive Barker Feeds the Old Gods with Monsters that Are Waiting on Stage<h2>
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<span style="font-size: x-large;">Clive Barker</span></div>
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Books of Blood (volume I)<br />
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>20 March 2018</u> I ripped the 152 pages from <b>Clive Barker</b> <i><b>Books of Blood</b></i>, tore them in half and threw them in the Hole I've been <b>Diggin' for Gordon</b> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <b>Gordon Matta-Clark</b> whose last and major work <i>‘Office Baroque’</i> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <b>Dan Flavin</b> takes care of lightning and an endless ladder as imagined by <b>Vito Acconci</b> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <b>James Lee Byars</b>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-2048149889950648472018-03-18T13:43:00.001+01:002018-03-18T13:43:48.272+01:00Rippin' for Gordon - #066 - Lisa Slater Cuts Through the Contemporary Art Jungle with 8mb of Source Material<h2>
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<span style="font-size: x-large;">Lisa C. Slater</span><br />
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Hacking FoxPro</div>
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<b>FoxPro MAChete: Hacking FoxPro for Macintosh, Second Edition</b>© 1995 Hayden Books, a division of Macmillan Computer Publishing<br />
<br />
All rights reserved. Printed in the United States of America. No part of<br />
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<br />
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This book is sold as is, without warranty of any kind, either express or<br />
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<div>
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">18,7 x 23,1 cm, 864p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;"><br /></span></span>
<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>18 March 2018</u> I ripped the 864 pages from <b>Lisa C. Slater</b><b><i> Hacking FoxPro</i></b>, tore them in half and threw them in the Hole I've been <b>Diggin' for Gordon</b> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <b>Gordon Matta-Clark</b> whose last and major work <i>‘Office Baroque’</i> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <b>Dan Flavin</b> takes care of lightning and an endless ladder as imagined by <b>Vito Acconci</b> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <b>James Lee Byars</b>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-43390862817117566732018-03-17T15:02:00.000+01:002018-03-17T15:02:04.359+01:00Rippin' for Gordon - #065 - John Cleland's Memoirs of an Artist of Pleasure<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">John Cleland</span><br />
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Fanny Hill</div>
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">Granada Publishing Ltd</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">First published in this edition in 1970</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">by Mayflower Books Ltd</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">Frogmore, St Albans, Herts AL2 2NF</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">Reprinted 1970 (twice), 1973</span><br />
<br style="font-family: "Trebuchet MS", Trebuchet, Verdana, sans-serif; font-size: 14.399999618530273px;" />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">Originally published in 1963 by</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">Mayflower Books Ltd</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">Revised edition published 1964</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">Reprinted many times</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">The Trial of Fanny Hill was written by</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">Richard Bennett and published by kind</span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">11,0 x 17,5 cm, 226p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>17 March 2018</u> I ripped the 226 pages from <b>John Cleland</b><b><i> Fanny Hill</i></b>, tore them in half and threw them in the Hole I've been <b>Diggin' for Gordon</b> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <b>Gordon Matta-Clark</b> whose last and major work <i>‘Office Baroque’</i> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <b>Dan Flavin</b> takes care of lightning and an endless ladder as imagined by <b>Vito Acconci</b> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <b>James Lee Byars</b>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-30131402055581243742018-02-11T22:35:00.001+01:002018-02-11T22:35:15.867+01:00Rippin' for Gordon - #064 - Lize Spit, DDV Scheurt, en het Smelt<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">Lize Spit</span><br />
Het Smelt<br />
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Eerste druk: januari 2016</span></span><br />
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Tweede druk: januari 2016</span></span><br />
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Derde druk: februari 2016</span></span><br />
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Vierde druk: februari 2016</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Art direction: Toine Donk</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Omslagontwerp: Studio Vruchtvlees</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Productiebegeleiding: Tim Beijer</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Foto auteur: Keke Keukelaar</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Opmaak: Mat-zet bv, Soest</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">www.dasmag.nl</span></span></div>
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">12,2 x 20,0 cm, 482p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>11 February 2018</u> I ripped the 482 pages from <b>Lize Spit</b><strong><i> Het Smelt</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-27734431151440890072018-02-10T12:54:00.000+01:002018-02-11T21:04:27.011+01:00Rippin' for Gordon - #063 - Geoffrey Symcox Edits War, Diplomacy and Imperialism, and DDV Rips it Apart<h2>
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<span style="font-size: x-large;">Geoffrey Symcox (ed)</span><br />
War, Diplomacy, and Imperialism 1618-1763<br />
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">WAR, DIPLOMACY, AND IMPERIALISM, 1618-1763</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Copyright © 1973 by Geoffrey Walter Symcox</span></span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">All rights reserved. Printed in the United States of Amer-</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">ica. No part of this book may be used or repro</span><span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">duced in </span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">any manner without written permission </span><span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">except in the case </span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">of brief quotations embodied in critical articles and </span><span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">re-</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">views. For information address Harper & Row, Publishers,</span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">simultaneously in Canada by Fitzhenry & Whiteside</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">Limited, Toronto.</span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">First HARPER TORCHBOOK edition published 1973</span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">STANDARD BOOK NUMBER: 06-139500-5</span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">13,4 x 20,2 cm, 340p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>10 February 2018</u> I ripped the 340 pages from <b>Geoffrey Symcox (ed)</b><strong><i> War, Diplomacy, and Imperialism 1618-1763</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-61466144521241876532018-02-09T16:07:00.002+01:002018-02-09T16:07:32.882+01:00Rippin' for Gordon - #062 - H. G. Wells Hears the Invisible Artist Pacing Up and Down While Ripping Up a Priceless Book<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">H. G. Wells</span><br />
The Invisible Man<br />
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">An Airmont Classic</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><i>specially selected for the Airmont Library</i></span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><i>from the immortal literature of the world</i></span></span><br />
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Airmont Publishing Company, Inc.</span></span><br />
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">PRINTED IN THE UNITED STATES OF AMERICA</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">BY THE COLONIAL PRESS INC., CLINTON, MASSACHUSETTS</span></span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">10,4 x 18,0 cm, 162p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;"><br /></span></span>
<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>9 February 2018</u> I ripped the 162 pages from <b>H. G. Wells</b><strong><i> The Invisible Man</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-33071883728190788452018-02-07T23:45:00.000+01:002018-02-08T00:50:54.248+01:00Rippin' for Gordon - #061 - José Martínez de Sousa y el Arte Periodística Contemporáneo de la Trituración<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">José Martínez de Sousa</span><br />
Diccionario General del Periodismo<br />
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">1a edición: 1981</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">© José Martínez de Sousa, 1981</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Barcelona (España)</span></span><br />
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Reservados los derechos de edición,</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">reproducción o adapatación</span></span><br />
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">IMPRESO EN ESPAÑA</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">PRINTED IN SPAIN</span></span><br />
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">ISBN: 84-283-1117-X</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Depósito Legal: M. 18.871-1981</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Paraninfo S.A. Magallanes, 25 - Madrid (15) (4-2936)</span></span><br />
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">GREFOL, S.A., Pol. II - La Fuensanta - Móstoles (Madrid)</span></span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">15,5 x 21,2 cm, 598p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;"><br /></span></span>
<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>7 February 2018</u> I ripped the 598 pages from <b>José Martínez de Sousa</b><strong><i> Diccionario General del Periodismo</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-48762409487859411452018-02-05T22:28:00.003+01:002018-02-05T22:28:44.981+01:00Rippin' for Gordon - #060 - François Fosca Présente le Renard avec Quarante Planches Hors-Texte en Héliogravure<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">François Fosca</span><br />
Renoir<br />
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><i>Droits de traduction et de reproduction</i></span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><i>reservés pour tous pays</i></span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Copyright by F. Rieder & Cie, 1923.</span></span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">15,6 x 20,0 cm, 146p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>5 February 2018</u> I ripped the 146 pages from <b>François Fosca</b><strong><i> Renoir</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-55862475723506695782018-01-31T22:45:00.002+01:002018-01-31T22:45:59.554+01:00Rippin' for Gordon - #059 - E.J. Hobsbawm Komt Tot de Conclusie Dat Bandieten Wel Revolutionair Zijn<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">E.J. Hobsbawm</span><br />
Bandieten<br />
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">© 1973 by Wetenschappelijke Uitgeverij bv, Amsterdam</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Vertaling: mr. R. Germeraad</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Omslag: Alje Olthof G V N</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">De sentimentele bandiet: <i>Bandiet van de Apennijnen</i></span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">(1824), schilderij van sir Charles Eastlake (1793-1865),</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">voorzitter van de Royal Academy.</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">ISBN 90 214 2760 5</span></span><br />
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<div>
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">12,5 x 20,0 cm, 182p, softcover</span></div>
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;"><br /></span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;"><br /></span></span>
<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On 31<u> January 2018</u> I ripped the 182 pages from <b>E.J. Hobsbawm</b><strong><i> Bandieten</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-71296741961188368082018-01-29T22:13:00.002+01:002018-01-29T22:13:26.408+01:00Rippin' for Gordon - #058 - Daphne du Maurier Dreamt She Went to Gordon, Dan and Vito<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">Daphne du Maurier</span><br />
Rebecca<br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">publisher's </span><span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">prior consent in any form of </span><span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">binding or </span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">cover other than that in </span><span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">which it is </span><span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">published and </span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">without a similar condition </span><span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">including this </span><span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">condition </span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">being imposed </span><span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">on the subsequent purchaser</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">Printed and bound in Great Britain by</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">Cox & Wyman Ltd, Reading, Berkshire</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">ISBN 0 09 986600 5</span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">11,0 x 17,7 cm, 402p, softcover</span></div>
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;"><br /></span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;"><br /></span></span>
<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>29 January 2018</u> I ripped the 402 pages from <b>Daphne du Maurier</b><strong><i> Rebecca</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-65170658710105608022018-01-28T23:21:00.000+01:002018-01-28T23:21:02.048+01:00Rippin' for Gordon - #057 - Ed and Lorraine Warren Underwent a Terrifying Transformation from Quiet Neighbourhood Artist to Frenzied, Savage Beast<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">Ed and Lorraine Warren</span><br />
Werewolf<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOu_fU3bMI4gX4LpO60J4oIpdbDefpPvPFWBqH54gYIJK7O9ajJDHIvVJFMyd6RM8bHlKQ38zHoCwHrowiV5tkigk8VOYwAky8jAZrxHMVeMZ3AnD-kpLmHQwhljM9dY1d6Ef1dXNKxQc/s1600/20180128_002_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOu_fU3bMI4gX4LpO60J4oIpdbDefpPvPFWBqH54gYIJK7O9ajJDHIvVJFMyd6RM8bHlKQ38zHoCwHrowiV5tkigk8VOYwAky8jAZrxHMVeMZ3AnD-kpLmHQwhljM9dY1d6Ef1dXNKxQc/s320/20180128_002_web.jpg" width="320" /></a></div>
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<hr />
NOTE: If you purchased this book without a cover you<br />
should be aware that this book is stolen property. It was<br />
reported as 'unsold and destroyed' to the publisher, and<br />
neither the author nor the publisher has received any<br />
payment for this 'stripped book'.<br />
<br />
WEREWOLF: A TRUE STORY OF DEMONIC POSSESSION<br />
<br />
Copyright © 1991 by Ed and Lorraine Warren and Bill Ramsey<br />
with Robert David Chase.<br />
<br />
Back cover photograph courtesy John Cleave/Syndication<br />
International.<br />
<br />
All rights reserved. No part of this book may be used or repro-<br />
duced in any manner whatsoever without written permission<br />
except in the case of brief quotations embodied in critical articles<br />
or reviews. For information address St. Martin's Press, 175 Fifth<br />
Avenue, New York, N. Y. 10010.<br />
<br />
Library of Congress Catalog Card Number: 91-21767<br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">ISBN: 0-312-92864-5</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">Printed in the United States of America</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">St. Martin's Press hardcover edition/October 1991</span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">St. Martin's Paperbacks edition/October 1992</span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">10 9 8 7 6 5 4 3 2 1</span></div>
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">10,6 x 17,1 cm, 230p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;"><br /></span></span>
<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>28 January 2018</u> I ripped the 230 pages from <b>Ed and Lorraine Warren</b><strong><i> Werewolf</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-8015246387369700492018-01-28T16:20:00.002+01:002018-01-28T16:20:50.102+01:00Rippin' for Gordon - #056 - dr. B. Goudzwaard Noodzaakt Artistieke Hoop in een Bezeten Wereld<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">dr. B. Goudzwaard</span><br />
Genoodzaakt Goed te Wezen<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK7HcxfgOqoyz6JfHNPE6btxDZTNCOPbZIl2iXWcfbbUXYduvoHFbxe9coLNbD0h0pFWiSA3_VCPNqtZunQyBfMcceDeXZGQvNilladvt7jYarrWgdbH3VuMPwcifyJi_I0MSypZzPAbw/s1600/20180128_002a_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK7HcxfgOqoyz6JfHNPE6btxDZTNCOPbZIl2iXWcfbbUXYduvoHFbxe9coLNbD0h0pFWiSA3_VCPNqtZunQyBfMcceDeXZGQvNilladvt7jYarrWgdbH3VuMPwcifyJi_I0MSypZzPAbw/s320/20180128_002a_web.jpg" width="320" /></a></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">© Uitgeversmaatschappij J. H. Kok - Kampen, 1981</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Omslagontwerp: Henk Dokter</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">ISBN 90 242 2302 4</span></span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">12,1 x 21,0 cm, 114p, softcover</span></div>
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;"><br /></span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;"><br /></span></span>
<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>28 January 2018</u> I ripped the 114 pages from <b>dr. B. Goudzwaard</b><strong><i> Genoodzaakt Goed te Wezen</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-69158143266694502282018-01-27T17:11:00.000+01:002018-01-27T17:11:38.727+01:00Rippin' for Gordon - #055 - Georges Simenon Se Trompe dans l'Œuvre de Gordon Matta-Clark<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">Georges Simenon</span><br />
Maigret Se Trompe<br />
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">IL A ÉTÉ TIRÉ DE LA PRÉSENTE</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">ÉDITION 100 EXEMPLAIRES</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">SUR PAPIER PUR FIL DE LANA,</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">NUMÉROTÉS DE 1 A 100</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Copyright © 1953 by Georges Simenon</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Tous droits de reproduction, de traduction et d'adapta-</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">tion réservés pour tous pays, y compris l'U. R. S. S.</span></span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">11,4 x 16,7 cm, 226p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>27 January 2018</u> I ripped the 226 pages from <b>Georges Simenon</b><strong><i> Maigret Se Trompe</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-47791019873292703562018-01-27T13:02:00.001+01:002018-01-27T13:02:22.694+01:00Rippin' for Gordon - #054 - Hunter S. Thompson Guiding a Phalanx of Roaring Motorcycles Down Dan Flavin's Slanted Row of Fluorescent Light Tubes<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">Hunter S. Thompson</span><br />
Hell's Angels<br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">11,0 x 18,0 cm, 328p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;"><br /></span></span>
<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>27 January 2018</u> I ripped the 328 pages from <b>Hunter S. Thompson</b><strong><i> Hell's Angels</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-72372749571703642632018-01-27T11:34:00.002+01:002018-01-27T11:34:48.710+01:00Rippin' for Gordon - #053 - Gérard D'Houville ne Cherchait pas le Nom du Séducteur<h2>
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<span style="font-size: x-large;">Gérard D'Houville</span><br />
Le Séducteur<br />
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">GÉRARD D'HOUVILLE</span></span><br />
<br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">LE SÉDUCTEUR</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">38 BOIS ORIGINAUX DE GUY ARNOUX</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">IMPRIMÉ</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">POUR LA COLLECTION</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><i>"LE LIVRE DE DEMAIN"</i></span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">SUR LES PRESSES</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">DE LOUIS BELLENAND ET FILS</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">A FONTENAY-AUX-ROSES</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">LE LIVRE DE DEMAIN</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">ARTHÈME FAYARD & Cie ÉDITEURS – PARIS</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">18-20, rue du Saint-Gothard, 18-20</span></span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">18,1 x 22,5 cm, 130p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;"><br /></span></span>
<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>27 January 2018</u> I ripped the 130 pages from <b>Gérard D'Houville</b><strong><i> Le Séducteur</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-25049260694930824472018-01-22T16:32:00.002+01:002018-01-22T16:34:52.087+01:00Rippin' for Gordon - #052 - Slavoj Žižek en het Tolerante Multiculturele Doelpunt in de Artistieke Diepte<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">Slavoj Žižek</span><br />
Intolerantie<br />
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Oorspronkelijk verschenen in <i>New Left Review</i> van</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">september/oktober 1997 onder de titel 'Multiculturalism,</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Or, the Cultural Logic of Multinational Capitalism';</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">de auteur maakte voor Boom een grondige bewerking</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">van deze tekst, die in 1998 voor het eerst verscheen in</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">de reeks Boom Essay.</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">© Uitgeverij Boom, Amsterdam 2011</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Behoudens de in of krachtens de Auteurswet van 1912</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">gestelde uitzonderingen mag niets uit deze uitgave worden</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">verveelvoudigd, opgeslagen in een geautomatiseerd </span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">gegevensbestand, of openbaar gemaakt, in enige vorm of</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">op enige wijze, hetzij elektronisch, mechanisch door</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">fotokopieën, opnamen of enig andere manier, zonder</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">voorafgaande schriftelijke toestemming van de uitgever.</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Voor zover het maken van kopieën uit deze uitgave is</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">toegestaan op grond van artikelen 16h t/m 16m Auteurswet</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">1912 jo. besluit van 27 november 2002, Stb 575, dient men de</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">daarvoor wettelijk verschuldigde vergoeding te voldoen aan</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">de Stichting Reprorecht te Hoofddorp (postbus 3060, 2130 KB,</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">www.reprorecht.nl) of contact op te nemen met de uitgever</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">voor het treffen van een rechtstreekse regeling in de zin</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">van art. 161, vijfde lid, Auteurswet 1912. Voor het overnemen</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">van gedeelte(n) uit deze uitgave in bloemlezingen, readers</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">en andere compilatiewerken (artikel 16, Auteurswet 1912)</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">kan men zich wenden tot de Stichting PRO (Stichting Publicatie-</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">en Reproductierechten, postbus 3060, 2130 KB Hoofddorp,</span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">www.cedar.nl/pro).</span></span><br />
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><i>No part of this book may be reproduced in any way whatsoever</i></span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><i>without the written permission of the publisher.</i></span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><i>Verzorging omslag & binnenwerk</i></span></span><br />
<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">René van der Vooren, Amsterdam</span></span><br />
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">ISBN 978 94 6105 2315 | NUR 730</span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">11,1 x 18,0 cm, 114p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>22 January 2018</u> I ripped the 114 pages from <b>Slavoj Žižek</b><strong><i> Intolerantie</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-65102764614194796712018-01-21T15:32:00.002+01:002018-01-21T15:32:31.959+01:00Rippin' for Gordon - #051 - Corpo Fast Forward Forgotten<h2>
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<span style="font-size: x-large;">Corpo Fast Forward</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0l8H5CyriPjb6atdTktc88iSBAxoAtcpM7cflNGWiSh-ES7OBqukt0TFI9USwsySzLm5X0cBru5QNiknqoW2SKgUTyHeFe2gFkuooh_0fYCl7iAuGqb4bbG2Zp2jPbYv2hEq33FZDxJg/s1600/20180121_002_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0l8H5CyriPjb6atdTktc88iSBAxoAtcpM7cflNGWiSh-ES7OBqukt0TFI9USwsySzLm5X0cBru5QNiknqoW2SKgUTyHeFe2gFkuooh_0fYCl7iAuGqb4bbG2Zp2jPbYv2hEq33FZDxJg/s320/20180121_002_web.jpg" width="320" /></a></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Este livro é publicado por ocasião do Porto 2001, Capital Europeia da Cultura</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">This book is published as a cellebration of Porto 2001, European Capital of Culture</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><b>Concepção de Projecto _ Concept</b></span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Paulo Cunha e Silva</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Porto 2001 - Área do Pensamento, Ciênca, Literatura, Projectos Transversais e articulação com Roterdão</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Porto 2001 - Thought, Science, Literature and Collateral projects and articulation with Roterdam</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><b>Direcção, edição e produção _ Direction, edition and production</b></span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Dinis Guarda</span></span></div>
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<b><span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Coordenação e </span></span><span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">edição _ Co-ordination and edition</span></b></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">João Urbano</span></span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><b>Direcção Artistica, Videostills e imagem</b></span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><b>Art Director, Videostills and image</b></span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">V-UR</span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><b>Co-Coordenação ciênca _ Science co-ordination</b></span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Paulo Urbano</span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><b>Design</b></span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">[RE] size* _ Sofia Gonçalves * Carlos Abreu</span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><b>Traduções _ Translations</b></span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Margarida Bessa</span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Lidia Vaz</span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Paulo Pereira (francês-Português _ french-portuguese)</span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><b>Colaboração em folio visual especial</b></span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><b>Special collaboration with visual folio</b></span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Paulo Henrique</span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><b>Revisões _ Proofreading</b></span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">João Fagundes</span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Rafael Dioniso</span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Pedro Marques</span></div>
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><b>Publicado por _ Published by</b></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">NUMEROMAGAZINE: fast forward</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">da Associação e editora _ association and editorial house</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">ÓPIO - arte e cultura</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">R. Pinheiro Chagas nº 28, 1º dto</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">1050-178 Lisboa</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">tel. 21 314 39 73</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">fax. 21 315 98 09</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">www.numerofestival.com</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">info@numerofestival.com</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><b>Pré-Impressão _ Pre-printed by</b></span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Grafilis</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><b>Impressão - Printed by</b></span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Heska portuguesa</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">ISBN 972-97705-4-9</span></span></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Impresso em Portugal _ Printed in Portugal</span></span></div>
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">21,0 x 20,9 cm, 304p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>21 January 2018</u> I ripped the 304 pages from<strong><i> Corpo Fast Forward</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-58289710287765580722018-01-20T19:33:00.002+01:002018-01-20T19:33:20.650+01:00Rippin' for Gordon - #050 - John Dunning Chronicles Some of the Most Bizarre Art Projects of Recent Times<h2>
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<span style="font-size: x-large;">John Dunning</span><br />
Deadly Deviates<br />
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<span style="font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Firt published 1986</span></span><br />
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>20 January 2018</u> I ripped the 296 pages from <strong>John Dunning<i> Deadly Deviates</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-87204238947432692582018-01-15T21:54:00.002+01:002018-01-15T21:54:31.711+01:00Rippin' for Gordon - #049 - Pierre Bourdieu and Hans Haacke Exchanging Real Relations on 1,3 x 1,3m<h2>
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<span style="font-size: x-large;">Pierre Bourdieu - Hans Haacke</span><br />
Libre-Échange<br />
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Ce livre a été réalisé à l'initiative de la <i>Fondation de France</i></span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">dans le cadre des débats et des recherches qu'elle organise</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">sur la nature des transformations culturelles actuelles et sur</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">les manières appropriées d'y faire face.</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Les propos de Hans Haacke ont été traduits de l'anglais</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">par Xacier Douroux.</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Le texte « Gondola! Gondola! » a été traduit de l'allemand</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">par Catherine Métais-Bürhendt.</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">ISBN : 2-02-021380-X</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">© Éditions du Seuil / les presses du réel, janvier 1994,</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">pour le texte de l'entretien, pour « C'est trop beau »</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">de Pierre Bourdieu, et pour la composition du volume.</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">© Hans Haacke, janvier 1994, pour </span><span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">« Gondola! Gondola! »,</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">ainsi que pour les photographies et les commentaires</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">qui les accompagnent.</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Le Code de la propriété intellectuelle interdit les copies ou reproductions</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">destinées à une utilisation collective. Toute représentation ou reproduction</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">intégrale ou partielle par quelque procédé que ce soit, sans le</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">consentement de l'auteur ou des ayants cause, est illicite et constitue une</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">contrefaçon sanctionée par les articles 425 et suivants du Code pénal.</span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">14,8 x 21,0 cm, 154p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>15 January 2018</u> I ripped the 154 pages from <strong>Pierre Bourdieu - Hans Haacke<i> Libre-Échange</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-24468053457800644442018-01-04T14:14:00.001+01:002018-01-04T14:14:05.178+01:00Rippin' for Gordon - #048 - Albert Camus Falls Down Down Deeper and Down<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">Albert Camus</span><br />
The Fall<br />
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Mitcham, Victoria</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">La Chute first published in 1956</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">This translation first published in</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Great Britain by Hamish Hamilton 1957</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Published in Penguin Books 1963</span></span><br />
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Translation copyright © Justin O'Brien, 1957</span></span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">11,2 x 18,1 cm, 114p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>4 January 2018</u> (58 years after his death in a car crash) I ripped the 114 pages from <strong>Albert Camus<i> The Fall</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-58802243682163522002018-01-03T23:13:00.002+01:002018-01-03T23:13:48.562+01:00Rippin' for Gordon - #047 - Charles Bukowski Going Down with the Exploited, the Underpaid and the Over-Talented<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">Charles Bukowski</span><br />
Women<br />
<br />
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</h2>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">A Star Book</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Published in 1981</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">by the Paperback Division of</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">W. H. Allen & Co. Ltd</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">A Howard and Wyndham Company</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">44 Hill Street, London W1X 8LB</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><br /></span></span>
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">First published in Great Britain by</span></span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">W. H. Allen & Co. Ltd, 1981</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Copyright © 1978 by Charles Bukowski</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">First published in the United States of America by Black Sparrow Press</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Printed in Great Britain by</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Hazell Watson & Viney Ltd, Aylesbury, Bucks</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">ISBN 0 352 30967 9</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">ACKNOWLEDGEMENTS</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">Acknowledgement is made to the editors of <i>City Lights Anthology no. 4, First</i></span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><i>Person Intense, Hustler </i>and <i>Rogner's Magazin</i> where some of these chapters</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">originally appeared.</span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;"><br /></span>
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">This book is sold subject to the condition </span><span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">that it </span><span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">shall </span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">not, by way of trade or otherwise, </span><span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">be lent, </span><br style="font-family: "Trebuchet MS", Trebuchet, Verdana, sans-serif; font-size: 14.399999618530273px;" /><span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">re-sold, hired out, or otherwise circulated</span><span style="background-color: white; font-size: 14.399999618530273px;"><span style="font-family: Trebuchet MS, Trebuchet, Verdana, sans-serif;"> </span></span><span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">without the </span><br />
<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">publisher's prior consent in any </span><span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">form of </span><br />
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<span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">and without a similar </span><span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">condition </span><span style="background-color: white; font-family: "trebuchet ms", trebuchet, verdana, sans-serif; font-size: 14.399999618530273px;">including this </span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">10,7 x 17,8 cm, 298p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;"><br /></span></span>
<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>3 January 2018</u> I ripped the 298 pages from <strong>Charles Bukowski<i> Women</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-71451642513314985232018-01-02T23:05:00.003+01:002018-01-02T23:05:57.431+01:00Rippin' for Gordon - #046 - Leopold Sacher-Masoch Saw Invitation in His Eyes and Depth in His Hole<h2>
<div style="text-align: center;">
<span style="font-size: x-large;">Leopold Sacher-Masoch</span><br />
Bed of an Empress<br />
<br />
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><i>This book is copyright. No portion of it may</i></span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><i>be reproduced without written permission.</i></span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">First published in U.S.A. by Belmont Produc-</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">tions Inc., New York. This edition published</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">1965 by Brown, Watson Ltd., Digit House,</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Harlesden Road, Willesden Green, London,</span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">N.W.10.</span></span><br />
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><i>Reprinted July, 1965.</i></span></span><br />
<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;">Made and printed in Great Britain by Richmond</span></span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">10,8 x 17,9 cm, 194p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>2 January 2018</u> I ripped the 194 pages from <strong>Leopold Sacher-Masoch<i> Bed of an Empress</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0tag:blogger.com,1999:blog-739406048959683354.post-89448182621519669762018-01-01T17:02:00.002+01:002018-01-01T17:02:57.461+01:00Rippin' for Gordon - #045 - Antoine de Saint-Exupéry non Déshumanisé s'Éleve à une Vertu Subhumaine<h2>
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<span style="font-size: x-large;">Antoine de Saint-Exupéry</span><br />
Vol de Nuit<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHqrL0wdnqGkOoCmf5qiyAis1LGsRaFV-36TAs29j-hKDPUIKSs86-C1a6l0kObjYCpwiExF0lKlyFWY60WXbuQ_3cvRcLPkKF-Bw-1Kv9GYHOVKuKX3pjmPoU-LPbUoSHMFfLxQrWYw4/s1600/20180101_001_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHqrL0wdnqGkOoCmf5qiyAis1LGsRaFV-36TAs29j-hKDPUIKSs86-C1a6l0kObjYCpwiExF0lKlyFWY60WXbuQ_3cvRcLPkKF-Bw-1Kv9GYHOVKuKX3pjmPoU-LPbUoSHMFfLxQrWYw4/s320/20180101_001_web.jpg" width="320" /></a></div>
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<span style="font-family: trebuchet ms, trebuchet, verdana, sans-serif;"><span style="background-color: white; font-size: 14.399999618530273px;"><i>Copyright by Librairie Gallimard, 1931.</i></span></span><br />
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<span style="background-color: white; font-family: "trebuchet ms" , "trebuchet" , "verdana" , sans-serif; font-size: 14.399999618530273px;">11,0 x 16,5 cm, 176p, softcover</span></div>
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<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;"><br /></span></span>
<span style="font-size: 14px;"><span style="font-family: "helvetica neue" , "helvetica" , "arial" , "verdana" , sans-serif;">On <u>1 January 2018</u> I ripped the 176 pages from <strong>Antoine de Saint-Exupéry<i> Vol de Nuit</i></strong>, tore them in half and threw them in the Hole I've been <strong>Diggin' for Gordon</strong> in a basement at an undisclosed location in Antwerpen since <u>20 February 2006</u>.<br />The title refers to <strong>Gordon Matta-Clark</strong> whose last and major work <em>‘Office Baroque’</em> in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by <strong>Dan Flavin</strong> takes care of lightning and an endless ladder as imagined by <strong>Vito Acconci</strong> makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up <strong>James Lee Byars</strong>' tomb.<br />As of 9 September 2017 the Hole is filled with precious books from my private library.</span></span><br />
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DDVhttp://www.blogger.com/profile/05414086919008826898noreply@blogger.com0