Susan Atkins
Child of Satan, Child of God
This low-priced Bantam Book
has been completely rest in a type face
designe for easy reading, and was printed
from new plates. It contains the complete
text of the original hard-cover edition.
NOT ONE WORD HAS BEEN OMITTED.
CHILD OF SATAN, CHILD OF GOD
A Bantam Book | published by arrangement with
Logos International
PRINTING HISTORY
Logos edition published October 1977
2nd printing – August 1977 3rd printing – November 1977
Doubleday Book Club edition published February 1978
Bantam edition | june 1978
Excerpt from Helter Skelter by Vincent Bugliosi and Curt
Gentry copyright © 1974 by Curt Gentry and Vincent Bugliosi.
Used by permission of W. W. Norton & Company, Inc.
Excerpts from the Beatles' songs, "Helter Skelter" and "Sexy
Sadie", by Lennon/McCartney copyright © 1968 Northern
Songs, Ltd. All rights for the USA and Canada controlled by
Maclen Music, Inc., c/o A.T.V. Music Group.
The names of some of the peripheral characters in this auto-
biography have been changed to protect them and others from
harm that might result from their identification. Names of all
central characters are actual.
All rights reserved.
Copyright © 1977 by Logos International.
This book may not be reproduced in whole or in part, by
mimeograph or any other means, without permission.
For information address: Logos International,
201 Church Street, Plainfield, N.J. 07060
ISBN 0-553-11472-7
Published simultaneously in the United States and Canada
Bantam Books are published by Bantam Books, Inc. Its trade-
mark, consisting of the words "Bantam Books" and the por-
trayal of a bantam, is Registered in U.S. Patent and Trademark
Office and in other countries. Marca Registrada. Bantam
Books, Inc., 666 Fifth Avenue, New York, New York 10019.
PRINTED IN THE UNITED STATES OF AMERICA
10,5 x 17,7 cm, 278p, softcover
On 18 September 2017 I ripped the 278 pages from Susan Atkins Child of Satan, Child of God, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole will be filled with precious books from my private library.
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