Rippin' for Gordon - #044 - Rod Serling Exploring the Twilight Zone Between Gordon Matta-Clark and Danny Devos, Where Strange Things Happen

Rod Serling
Stories from the Twilight Zone

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        VLM 6.0
RLI: ------------
         IL 7-12

STORIES FROM THE TWILIGHT ZONE
A Bantam Book / published by arrangement with
Meredith Press

                        A Bantam book / published April 1960
2nd printing .......... April 1960       8th printing ........ March 1961
3rd printing .......... April 1960       9th printing ........... May 1961
4th printing .......... June 1960      10th printing ..... October 1961
5th printing ....... August 1960       11th printing ........ April 1962
6th printing ..... October 1960        12th printing ..... August 1962
7th printing .. November 1960         13th printing ..... March 1963

        A Bantam Pathfinder edition published December 1964
15th printing ... December 1964       19th printing ... October 1967
16th printing .. September 1965       20th printing ... January 1969
17th printing ......... June 1965        21st printing ....... April 1969
18th printing .. December 1966        22nd printing ..... March 1970

Library of Congress Catalog Card Number: 64-7966

All rights reserved.
Copyright © 1960 by Rod Serling.
This book may not be reproduced in whole or in part, by
mimeograph or any other means, without permission.
For information address: Bantam Books, Inc,

Published simultaneously in the United States and Canada.

Bantam Books are published by Bantam Books, Inc., a National
General company. Its trade-mark, consisting of the words "Bantam 
Books" and the portrayal of a bantam, is registered in the United 
States Patent Office and in other countries. Marca Registrada. 
Bantam Books, Inc., 666 Fifth Avenue, New York, N. Y. 10019.

PRINTED IN THE UNIED STATES OF AMERICA

10,7 x 17,9 cm, 156p, softcover

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On 25 December 2017 – on his 93rd birthday – I ripped the 156 pages from Rod Serling Stories from the Twilight Zone, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #043 - Norman Mailer Devoured by the Infectious Intellectual Appetite of Cannibals and Christians

Norman Mailer
Cannibals and Christians

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Abridged edition published by Granada Publishing Limited
in Panther Books 1979

ISBN 0 586 04851 0

Complete edition first published in Great Britain by
André Deutsch Ltd 1967
Copyright © Norman Mailer 1966

Granada Publishing Limited
Frogmore, St Albans, Herts AL2 2NF
and
3 Upper James Street, London W1R 4BP
1221 Avenue of the Americas, New York, NY 10020, USA
117 York Street, Sydney NSW 2000 Australia
100 Skyway Avenue, Toronto, Ontario, Canada M9W 3A6
110 Northpark Centre, 2193 Johannesburg, South Africa
CML Centre, Queen & Wyndham, Auckland 1, New Zealand

Set, printed and bound in Great Britain by
Cox & Wyman Ltd, Reading
Set in Intertype Times

This book is sold subject to the condition that it 
shall not, by way of trade or otherwise, be lent, 
re-sold, hired out, or otherwise circulated
without the publisher's prior consent in any 
form of binding or cover other than that in 
which it is published and without a similar 
condition including this condition being imposed
on the subsequent purchaser.

Granada ®
Granada Publishing ®

11,2 x 17,7 cm, 274p, softcover

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On 24 December 2017 I ripped the 274 pages from Norman Mailer Cannibals and Christians, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #042 - Nerin E. Gun Tearing up Never-Before-Published Diaries, Letters and Scrapbooks of the Woman Hitler Loved

Nerin E. Gun
Eva Braun: Hitler's Mistress

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This low-priced Bantam Book
printed in completely in new type face 
designed for easy reading,  and was printed
from new plates. It contains the complete 
text of the original, hard-cover edition. 
NOT ONE WORD HAS BEEN OMITTED.

EVA BRAUN: HITLER'S MISTRESS
A Bantam Book / published by arrangement with
Meredith Press

PRINTING HISTORY

Meredith Press edition published November 1968
Condensations appeared in the DETROIT FREE PRESS 1969,
ARGOSY Magazine February 1969 and LADIES HOME
JOURNAL April 1969
Bantam edition published August 1969

All rights reserved
Copyright © 1968 by Nerin E. Gun and blick & bild
Verlag S. Kappe KG Velbert und Kettwig,
English translation copyright © 1969 by Nerin E. Gun,
This book may not be reproduced in whole or in part, by
mimeograph or any other means, without permission.
For information address: Meredith Press,
250 Park Avenue, New York, N.Y. 10017.

Published simultaneously in the United States and Canada.

Bantam Books are published by Bantam Books, Inc. Its
trademark, consisting of the words "Bantam Books" 
and the portrayal of a bantam, is Registered in the 
United States Patent Office and in other countries. Marca 
Registrada. Printed in the United States of America. 
Bantam Books, Inc., 25 West 45th Street, New York 36, N. Y.

10,8 x 17,7 cm, 258p, softcover

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On 17 December 2017 I ripped the 258 pages from Nerin E. Gun Eva Braun: Hitler's Mistress, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #041 - Arianna Stassinopoulos Huffington Destroying Picasso

Arianna Stassinopoulos Huffington
Picasso - Creator & Destroyer

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First published in Great Britain 1988 by
George Weidenfeld & Nicholson Ltd
This edition published 1989 by Pan Books Ltd,
Cavaye Place, London SW10 9PG
9 8 7 6 5 4 3 2 1
© Arianna Stassinopoulos Huffington 1988
All rights reserved
ISBN 0 330 30745 2

This book is sold subject to the condition that it 
shall not, by way of trade or otherwise, be lent, re-sold, 
hired out, or otherwise circulated without the publisher's prior 
consent in any form of binding or cover other than that in which 
it is published and without a similar condition including this 
condition being imposed on the subsequent purchaser.

We have made every effort to appropriately acknowledge all source material and to secure permission
from copyright holders when required. In the event of any question arising as to the source of any
material, we will be pleased to make the necessary acknowledgement in future printings. Thanks are
due to Françoise Gilot and Carlton Lake and to McGraw Hill for their permission to use excerpts
from Life With Picasso, © 1964 Françoise Gilot and Carlton Lake, Letter from Picasso  to Gertrude
Stein, April 1917, published with permission of the Yale Collection of American Literature, Beinecke
Rare Book and Manuscript Library, Yale University. Poem by Picasso dated 5 May 1953 published
with permission of the archives of the Harry Ransom Humanitaries Centre, University of Texas at
Austin.

11,0 x 17,7 cm, 562p, softcover

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On 9 December 2017 I ripped the 562 pages from Arianna Stassinopoulos Huffington Picasso - Creator & Destroyer, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #040 - Henry Miller Has Never Been so Deep

Henry Miller
Sexus

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Published by Granada Publishing Limited
in Panther Books 1970
Reprinted 1971, 1972, 1973, 1976, 1978

ISBN 0 586 03381 5

First published in Great Britain by
Calder and Boyers Ltd 1969
Copyright © Henry Miller 1962

Granada Publishing Limited
Frogmore, St Albans, Herts AL2 2NF
and
3 Upper James Street, London W1R 4BP
1221 Avenue of the Americas, New York, NY 10020, USA
117 York Street, Sydney NSW 2000 Australia
100 Skyway Avenue, Toronto, Ontario, Canada M9W 3A6
110 Northpark Centre, 2193 Johannesburg, South Africa
CML Centre, Queen & Wyndham, Auckland 1, New Zealand

Made and printed in Great Britain by
C. Nicholls and Compamy Limited
The Philips Park Press, ManchesterSet in Linotype Pilgrim

This book is sold subject to the condition that it 
shall not, by way of trade or otherwise, be lent, 
re-sold, hired out, or otherwise circulated
without the publisher's prior consent in any 
form of binding or cover other than that in 
which it is published and without a similar 
condition including this condition being imposed
on the subsequent purchaser.

11,0 x 17,7 cm, 466p, softcover

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On 8 December 2017 I ripped the 466 pages from Henry Miller Sexus, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #039 - Josef Kunz schrieb keine Deutsche Novelle

Josef Kunz
Die deutsche Novelle im 20. Jahrhundert

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CIP-Kurztitelaufnahme der Deutschen Bibliothek

Kunz, Josef
Die deutsche Novelle im 20. [zwanzigsten] Jahr-
hundert / unter bibliograph. Mitw. von Rainer
Schönhaar. – 1. Aufl. - Berlin : E. Schmidt, 1977.
  (Grundlagen der Germanistik ; 23)
  ISBN 3-503-01223-0

Für Otti und Judith

ISBN 3 503 01223 0

© Erich Schmidt Verlag, Berlin 1977
Druck: Loibl, Neuburg (Donau)
Printed in Germany - Nachdruck verboten

14,8 x 20,7 cm, 242p, softcover

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On 1 December 2017 I ripped the 242 pages from Josef Kunz Die deutsche Novelle im 20. Jahrhundert, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #038 - Painting in Flanders Caves in

Painting
in Flanders after 1980

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Colophon
A publicatio  of Openbaar
Kunstbezit in Vlaanderen

Designed by
Rob Buytaert
Annemie Vandezande

Coordinated and edited by
Mark Vanvaeck

Production Manager
Peter Wouters

Production Assistent
Greet Vlegels

Printer
Drukkerij Die Keure, Brugge

Pre-press
Grafisch Buro Geert Lefevre

Translation
Gregory Ball

Registered publisher:
P. Wouters Huis 'den Rhyn'
Hofstraat 15 2000 Antwerp

Copyright
Openbaar Kunstbezit
in Vlaanderen
No part of this publication
may be reproduced or trans-
mitted in any form or by any
means, electronic or mecha-
nical, including photocopy,
recording or any other infor-
mation storage or retrieval
system, without prior permis-
sion in writing from the
publisher.

ISSN 1373-4873
WD 2005/7892/15

22,0 x 28,0 cm, 52p, softcover

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On 19 November 2017 I ripped the 52 pages from Painting in Flanders after 1980, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #037 - Yasuo Kuwahara and Gordon T. Allred on a Kamikaze Mission for Gordon

Yasuo Kuwahara and Gordon T. Allred
Kamikaze

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©, 1957, by
Gordon T. Allred

Library of Congress Catalog Card No. 58-6911

Printed in the United States of America

BALLANTINE BOOKS, INC.
101 Fifth Avenue, New York 3, N. Y.

11,0 x 18,0 cm, 204p, softcover

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On 18 November 2017 I ripped the 204 pages from Yasuo Kuwahara and Gordon T. Allred Kamikaze, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #036 - Guy de Maupassant His Bel Ami Was a Performance Artist

Guy de Maupassant
Bel-Ami

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Composition réalisée par NORD COMPO

Imprimé en France sure Presse Offset par

BRODARD & TAUPIN
Groupe CPI

La Flèche (Sarthe)
Nº d'imprimeur: 8775 - Dépôt Légal Édit. 14562-09/2001
LIBRAIRIE GÉNÉRALE FRANÇAISE - 43, quai de Grenelle - 75015 Paris.

ISBN: 2 - 253 - 00900 - 8   H 30/0619/4

11,0 x 17,7 cm, 372p, softcover

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On 12 November 2017 I ripped the 372 pages from Guy de Maupassant Bel-Ami, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #035 - Jay Anson is Frightened by the Scariest True Artwork He Has Seen in Years

Jay Anson
The Amityville Horror

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First published in Great Britain 1978 by W.H. Allen
This edition published 1978 by Pan Books Ltd,
Cavaye Place, London SW10 9PG
2nd printing 1978
© Jay Anson, George Lee Lutz, Kathleen Lutz 1978
ISBN 330 25599 1
Printed and bound in Great Britain by
Richard Clay (The Chaucer Press) Ltd, Bungay, Suffolk

This book is sold subject to the condition that it 
shall not, by way of trade or otherwise, be lent, re-sold, 
hired out or otherwise circulated without the publisher's prior 
consent in any form of binding or cover other than that in which
it is published and without a similar condition including this
condition being imposed on the subsequent purchaser.

11,0 x 17,9 cm, 194p, softcover

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On 11 November 2017 I ripped the 194 pages from Jay Anson The Amityville Horror, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #034 - Linda Warmoes Daalt Af

Linda Warmoes
Kunst

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KUNST, een feuilleton in afleveringen verscheen eerder in de afle-
veringen 59 tot en met 64 van De Witte Raaf. Vuilheid kan van een
betoverende schoonheid zijn, een interview met Linda Warmoes,
verscheen eerder in aflevering 65 van De Witte Raaf.

KUNST is een uitgave van amerika. Uitgeverij amerika is een ini-
tiatief van Paul Verrept
© 1997 Linda Warmoes en amerika

amerika
Montignystraat 1 bus 6, 2018 Antwerpen
tel. 03 2570361, fax 03 2570362

ontwerp: Compagnie Paul Verrept
foto: Hans Aarsman

CIP-GEGEVENS KONINKLIJKE BIBLIOTHEEK DEN HAAG
Warmoes, Linda
Kunst, Linda Warmoes
- Antwerpen: Amerika
ISBN 90 75995 03 2
NUGI 300
D/1997/7874/2

10,6 x 17,5 cm, 154p, softcover

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On 10 November 2017 I ripped the 154 pages from Linda Warmoes Kunst, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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