Thursday, October 12, 2017

Rippin' for Gordon - #020 - Georges Gougenheim dans l'Histoire et dans la Vie

Georges Gougenheim
Let Mots Français
dans l'Histoire et dans la Vie



© Éditions  A. et J. Picard, 1975

82, rue Bonaparte, Paris
Dépot légal: Ier trim. 1975 – Nº Éditeur: 1428

IMPRIMERIE FLOCH
53100 Mayenne
Nº 13094 – 1975

14,0 x 19,0 cm, 322p, softcover



On 12 October 2017 I ripped the 322 pages from Georges Gougenheim Les Mots Français dans l'Histoire et dans la Vie, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.





Wednesday, October 11, 2017

Rippin' for Gordon - #019 - Jorge Andrade Mirando Hacia Abajo

Jorge Andrado
Los Ojos del Diablo



Esta edición de LOS OJOS DEL DIABLO ha sido posi-
bila gracias a la generosa ayuda del Cabildo Insular de
Gran Canaria, coeditor de la misma.

FOMENTA LA CREATIVIDAD/
RESPETA EL DERECHO DE AUTOR
CENTENARIO DE LA CONVENCION DE BERNA/1886-1986

No se permite la reproducción total o parcial de esto libro,
ni su incorporación a un sistema informático, ni su transmisión
en cualquier forma o por cualquier medio, sea éste
electrónico, mecánico, por fotocopia, por grabación u otros
métodos, sin el permiso previo y por escrito de los titulares
del COPYRIGHT:

© 1986, Jorge Andrade
© 1986, Muchnik Editores, General Mitre, 162, 08006 Barcelona
Cubierta: Mario Muchnik
ISBN: 84-7669-014-2
Depósito legal: B. 35.602 - 1986

Esta edición de
LOS OJOS DEL DIABLO
compuesta en tipos Aster de 9/9 puntos por
Tecnitype,
se terminó de imprimir en los talleres de
Romanyà/Valls,
Verdaguer, 1, Capellades (Barcelona),
el 20 de octubre de 1986.
Impreso en España - Printed in Spain

12,6 x 19,5 cm, 142p, softcover



On 11 October 2017 I ripped the 142 pages from Jorge Andrado Los Ojos del Diablo, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.





Tuesday, October 10, 2017

Rippin' for Gordon - #018 - Ian Fleming Never Digged Twice

Ian Fleming
James Bond
You Only Live Twice



First published 1964 by Jonathan Cape Ltd.
This edition published 1965 by Pan Books Ltd,
8 Headfort Place, London, S.W.1

© Glidrose Production Ltd, 1964

Printed in Great Britain by
Cox and Wyman Ltd, London, Reading and Fakenham

11,2 x 17,7 cm, 194p, softcover



On 10 October 2017 I ripped the 194 pages from Ian Fleming James Bond: You Only Live Twice, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.





Sunday, October 8, 2017

Rippin' for Gordon - #017 - The World's Worst Disasters of the Twentieth Century

The World's Worst Disasters
of the Twentieth Century



First published in hardback in 1983
by Octopus Books Limited
59 Grosvenor Street
London W1

Paperback edition first published in 1984

© Octopus Books Limited

ISBN 0 7064 2146 9

Second impression, reprinted 1984

Made and printed in Great Britain by
Richard Clay (The Chaucer Press) Limited
Bungay, Suffolk

14,4 x 21,0 cm, 194p, softcover



On 8 October 2017 I ripped the 194 pages from The World's Worst Disasters of the Twentieth Century, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.