Rippin' for Gordon - #038 - Painting in Flanders Caves in

Painting
in Flanders after 1980

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Colophon
A publicatio  of Openbaar
Kunstbezit in Vlaanderen

Designed by
Rob Buytaert
Annemie Vandezande

Coordinated and edited by
Mark Vanvaeck

Production Manager
Peter Wouters

Production Assistent
Greet Vlegels

Printer
Drukkerij Die Keure, Brugge

Pre-press
Grafisch Buro Geert Lefevre

Translation
Gregory Ball

Registered publisher:
P. Wouters Huis 'den Rhyn'
Hofstraat 15 2000 Antwerp

Copyright
Openbaar Kunstbezit
in Vlaanderen
No part of this publication
may be reproduced or trans-
mitted in any form or by any
means, electronic or mecha-
nical, including photocopy,
recording or any other infor-
mation storage or retrieval
system, without prior permis-
sion in writing from the
publisher.

ISSN 1373-4873
WD 2005/7892/15

22,0 x 28,0 cm, 52p, softcover

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On 19 November 2017 I ripped the 52 pages from Painting in Flanders after 1980, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #037 - Yasuo Kuwahara and Gordon T. Allred on a Kamikaze Mission for Gordon

Yasuo Kuwahara and Gordon T. Allred
Kamikaze

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©, 1957, by
Gordon T. Allred

Library of Congress Catalog Card No. 58-6911

Printed in the United States of America

BALLANTINE BOOKS, INC.
101 Fifth Avenue, New York 3, N. Y.

11,0 x 18,0 cm, 204p, softcover

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On 18 November 2017 I ripped the 204 pages from Yasuo Kuwahara and Gordon T. Allred Kamikaze, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #036 - Guy de Maupassant His Bel Ami Was a Performance Artist

Guy de Maupassant
Bel-Ami

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Composition réalisée par NORD COMPO

Imprimé en France sure Presse Offset par

BRODARD & TAUPIN
Groupe CPI

La Flèche (Sarthe)
Nº d'imprimeur: 8775 - Dépôt Légal Édit. 14562-09/2001
LIBRAIRIE GÉNÉRALE FRANÇAISE - 43, quai de Grenelle - 75015 Paris.

ISBN: 2 - 253 - 00900 - 8   H 30/0619/4

11,0 x 17,7 cm, 372p, softcover

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On 12 November 2017 I ripped the 372 pages from Guy de Maupassant Bel-Ami, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #035 - Jay Anson is Frightened by the Scariest True Artwork He Has Seen in Years

Jay Anson
The Amityville Horror

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First published in Great Britain 1978 by W.H. Allen
This edition published 1978 by Pan Books Ltd,
Cavaye Place, London SW10 9PG
2nd printing 1978
© Jay Anson, George Lee Lutz, Kathleen Lutz 1978
ISBN 330 25599 1
Printed and bound in Great Britain by
Richard Clay (The Chaucer Press) Ltd, Bungay, Suffolk

This book is sold subject to the condition that it 
shall not, by way of trade or otherwise, be lent, re-sold, 
hired out or otherwise circulated without the publisher's prior 
consent in any form of binding or cover other than that in which
it is published and without a similar condition including this
condition being imposed on the subsequent purchaser.

11,0 x 17,9 cm, 194p, softcover

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On 11 November 2017 I ripped the 194 pages from Jay Anson The Amityville Horror, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #034 - Linda Warmoes Daalt Af

Linda Warmoes
Kunst

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KUNST, een feuilleton in afleveringen verscheen eerder in de afle-
veringen 59 tot en met 64 van De Witte Raaf. Vuilheid kan van een
betoverende schoonheid zijn, een interview met Linda Warmoes,
verscheen eerder in aflevering 65 van De Witte Raaf.

KUNST is een uitgave van amerika. Uitgeverij amerika is een ini-
tiatief van Paul Verrept
© 1997 Linda Warmoes en amerika

amerika
Montignystraat 1 bus 6, 2018 Antwerpen
tel. 03 2570361, fax 03 2570362

ontwerp: Compagnie Paul Verrept
foto: Hans Aarsman

CIP-GEGEVENS KONINKLIJKE BIBLIOTHEEK DEN HAAG
Warmoes, Linda
Kunst, Linda Warmoes
- Antwerpen: Amerika
ISBN 90 75995 03 2
NUGI 300
D/1997/7874/2

10,6 x 17,5 cm, 154p, softcover

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On 10 November 2017 I ripped the 154 pages from Linda Warmoes Kunst, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #033 - Lawrence Grobel Conversated with Capote

Lawrence Grobel
Conversations with Capote

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NAL BOOKS ARE AVAILABLE AT QUANTITY DISCOUNTS WHEN USED TO
PROMOTE PRODUCTS OR SERVICES. FOR MORE INFORMATIONS PLEASE WRITE
TO PREMIUM MARKETING DIVISION, NEW AMERICAN LIBRARY,
1633 BROADWAY, NEW YORK, NEW YORK 10019.

Copyright © 1985 by Lawrence Grobel

Foreword copyright © by James A. Michener

All rights reserved.
For information address New American Library.

A hardcore edition of Conversations with Capote
was published by New American Library and
simultaneously in Canada by
The New American Library of Canada Limited.

PLUME TRADEMARK REG. U.S. PAT. OFF. AND FOREIGN COUNTRIES
REGISTERED TRADEMARK–MARCA REGISTRADA
HECHO EN HARRISONBURG, VA, U.S.A.

SIGNET, SIGNET CLASSIC, MENTOR, PLUME, MERIDIAN
and NAL BOOKS are published in the United States
by New American Library, 1633 Broadway, New York, New York 10019,
in Canada by The New American Library of Canada Limited,
81 Mack Avenue, Scarborough, Ontario M1L 1M8

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LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA

Grobel, Lawrence
Conversations with Capote

Includes index.
1. Capote, Truman, 1924-1984–Interviews.
2. Authors, American–20th century–Interviews.
I. Capote, Truman, 1924-1984.   II. Title
PS3505.A59Z67  1985  813'54[B]   84-27324
ISBN 0-453-00494-6
0-452-25802-2 (pbk.)

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Designed by Julian Hamer
First Plume Printing, March, 1986
1 2 3 4 5 6 7 8 9
PRINTED IN THE UNITED STATES OF AMERICA

13,9 x 20,9 cm, 248p, softcover

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On 8 November 2017 I ripped the 248 pages from Lawrence Grobel Conversations with Capote, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #032 - Gerrit Komrij Averechts & Achterover

Gerrit Komrij
Achterover

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Eerste druk november 1980
Tweede druk november 1980
Derde druk mei 1981

Copyright © 1980 Gerrit Komrij, Amsterdam

Niets uit deze uitgave mag worden verveelvoudigd en/of
openbaar gemaakt, door middel van druk, fotokopie, micro-
film of op welke wijze dan ook, zonder voorafgaande
schriftelijke toestemming van B V Uitgeverij De Arbedierspers,
Singel 262, Amsterdam. No part of this book may be reproduced in
any form, by print, photoprint, microfilm or any other means, without
written permission from B V Uitgeverij De Arbedierspers, Singel 262, 
Amsterdam.

Omslag F.-L. Schmied
Grafische vormgeving Alje Olthof
Druk Geuze & Co's Drukkerij BV, Dordrecht

ISBN 90 295 26939

11,9 x 19,9 cm, 322p, softcover

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On 5 November 2017 I ripped the 322 pages from Gerrit Komrij Averechts, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #031 - Agatha Christie on Eerie Art

Agatha Christie
The Hound of Death

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First published 1933.
By arrangement with Wm. Collins Sons & Co Ltd.,
this edition published 1960 by Pan Books Ltd.,
8 Headfort Place, London, S.W.1

Printed in Great Britain by
Hunt, Barnard & Co Ltd., Aylesbury,
Buckinghamshire

11,0 x 17,7 cm, 226p, softcover

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On 5 November 2017 I ripped the 226 pages from Agatha Christie The Hound of Death, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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Rippin' for Gordon - #030 - J. Brouwers Verkondigend het Kunstzinnig Ongeloof

J. Brouwers
Volkskatechismus

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IMPRIMATUR:
DR. E. M. KRUYTZER, Libr. censor
23 januari 1967, Maastricht

Niets uit deze uitgave mag vermenigvuldigd en/of openbaar ge-
maakt worden door middel van druk, fotokopie, microfilm of op
welke andere wijze ook, zonder voorafgaandelijk schriftelijke toestem-
ming van de uitgevers. – Vertaalrechten voorbehouden.

12,0 x 19,0 cm, 234p, softcover

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On 1 November 2017 I ripped the 234 pages from J. Brouwers Volkskatechismus, tore them in half and threw them in the Hole I've been Diggin' for Gordon in a basement at an undisclosed location in Antwerpen since 20 February 2006.
The title refers to Gordon Matta-Clark whose last and major work ‘Office Baroque’ in Antwerpen I illegally visited at the start of my career as an artist. The performance/installation evolved into a ‘mash-up’ with ingredients from the works of various avantgarde artists from the 70’s. For instance a slant row of florescent lights inspired by Dan Flavin takes care of lightning and an endless ladder as imagined by Vito Acconci makes it possible to get in and out of the hole. The work was made visible through a number of side actions and performances where I used some of the dirt I had been digging up. Most of the dirt was used to fill up James Lee Byars' tomb.
As of 9 September 2017 the Hole is filled with precious books from my private library.

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